![]() ![]() ![]() While any Radiohead release is an event by default, the Record Store Day scramble to acquire the leftovers from The King of Limbs sessions was especially brief, as all 2000 copies of “Supercollider/The Butcher” were snatched up in a matter of minutes and immediately spilled into cyberspace. Now that we’ve had a few weeks with these songs, it has become more obvious what type of headspace Radiohead were in while recording their polarizing eighth record. Radiohead - The King of Limbs: Live From the Basement, Cover art. “Supercollider” is smooth and kinetic, showing some of the shades of minimalism as tracks like “Separator” and “Codex.” There are no guitars to be found here, and the pretty piano line from the live version is low in the mix, swirling beneath luminescent synthesizers. Radiohead - Supercollider / The Butcher, Cover art. ' Supercollider' / 'The Butcher ' és un senzill del grup britànic Radiohead llançat el 16 dabril de 2011 coincidint amb el Record Store Day. Radiohead Supercollider / The Butcher Label : Ticker Tape Ltd. The oddball lyrics contain references to subatomic particles, pulse waves and B-spins, but they’re tempered by vivid imagery and a human heartbeat. 1 Thom Yorke va estrenar ' Supercollider ' en una actuació en solitari al Malahide Castle, Dublín, el 6 de juny de 2008. 2 Aquesta cançó destaca per ser la més llarga mai feta. Orders placed at included a free download of the entire performance, available on 19th December 2011. Discs are attached to a 32-page hardback book of photos from the recording session, in a cardboard packaging. At 7 minutes in length, it’s the band’s longest studio effort to date. From The Basement is a live studio performance of The King Of Limbs. Despite this, the pace never changes instead it slowly crescendos, adding layers of playful electronic effects that augment the song’s sense of spaciousness. “The Butcher” is more in line with the tangled sonics of The King of Limbs’ first half. It’s balefully arranged, as Thom Yorke urges you to “Spare the gory details/Give them gift wrapped for the man with everything” and his musings are fastened into place by Phil Selway’s shuffling polyrhythms and dark, ghostly backing vocals straight out of the Hail to the Thief era. It’s icy and mechanical, but there’s an understated sense of tranquility to it, as if you’re watching something destructive from a safe distance.Īs an aside, the band claimed they couldn’t find a place for either track on The King of Limbs, but I think they would have fit in nicely after “Lotus Flower” and “Bloom,” respectively (although they probably wouldn’t make it a better album). ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |